![artistic licence uk ltd artistic licence uk ltd](https://www.classical-music.uk/media/224577/classical-music_white-new-22.png)
Previous projects have included Happy City, which comprises an app and a series of public art interventions and interactive projects that aim to "connect strangers and swap fear for connection in public space". Tickets for Crime Live can be purchased here.As well as taking on numerous commissions, many of which are public works, the piece aligns with much of his socially engaged work – Semple is an ambassador for mental health charity Mind. Jo Millington is a Forensic Scientist with Millington Hingley Ltd and a member of the Advisory Panel at Inside Justice.Ĭrime Live London is on Thursday 10th May 2pm or 7pm. The last recommendation was Netflix ‘MindHunter’ – which I binge-watched immediately! And the audience have been giving me tips on what shows I should be adding to my watchlist.
![artistic licence uk ltd artistic licence uk ltd](https://www.filterforge.com/filters/8643.jpg)
Working with Inside Justice has also given me the opportunity to join Crime Live events, which give the audience the chance to play Dexter from their seats.
![artistic licence uk ltd artistic licence uk ltd](http://sgmlegalspain.com/wp-content/uploads/2015/07/SGM-PROVISIONAL-UK-DRIVING-LICENCE-2.png)
You only have to look at the cases on their website to see that their work has led to some quite extraordinary outcomes. We painstakingly look back on what was done at the time and think about what opportunities might exist now. This includes Inside Justice where I sit alongside a team of talented and experienced individuals, each with their own specialism, to review cases that are brought to the attention of the charity. I am incredibly lucky to have worked with some of the most astonishing people.
![artistic licence uk ltd artistic licence uk ltd](https://reader043.pdfslide.us/reader043/viewer/2022020108/5acaa2797f8b9a7d548e011a/html5/page/12.jpg)
RECOMMENDED… American Vandal – parody true crime documentary is among the best TV of 2017 A catastrophic wave of blood landed on the wall. We pumped it up to max and pulled the trigger. I was carefully placing individual droplets of theatrical blood in the scene, to accurately represent a spray pattern that would eventually gush from the neck of the victim, when the set director handed me a garden pressure sprayer. I once had the great treat to be invited onto the set of Silent Witness as an advisor and experienced first-hand the way in which the reality of science is interpreted for the good of drama. Why show the size of a real-life crime scene team when Nikki Alexander in Silent Witness can do it all. It would be intensely boring if we had to sit for hours on the sofa waiting for a DNA result to come back from the lab, or found that when it did the result wasn’t worth waiting for. I love my job but Scandi-slow TV it would not make. My professional opinion is that telly forensics is best served with a dollop of artistic licence. It would be intensely boring if we had to sit for hours on the sofa waiting for a DNA result to come back from the lab 1 fan but I admit that when there are multi-coloured lasers darting across the screen, or Dexter ponders a single blood drop and goes on to recreate the entire attack, my head tips back on its shoulders. I could never have predicted that by the time Dexter came along I would be a blood-spatter analyst myself having been trained by Miami-Dade Police. If you switch on the television today you can watch, stream or download thousands of crime dramas, immerse yourself in a murder investigation or swap pyjamas for a white suit and ‘walk’ into a blood-spattered crime scene looking for clues. This was the CSI of its day and after seven episodes I knew I wanted to be a forensic scientist.įorensic science is as captivating to me now as it was then, though I now know telly forensics is not the same as real-life forensics. In the mid 1980s, when I was starting to think about what I wanted to do when I grew up, the BBC ran a series of documentaries called Indelible Evidence, where real-life cases were dramatised and we learned how science could solve crime.